Most of these photographs portray them in nude poses challenging the camera. It was then when she decided to change the focus of her work and started taking photos of her own children. While many consider her one of the best American photographers that have ever existed, others think her work is outright depraved.Īfter she finished her education in the first half of the seventies, she started photographing landscapes where she would travel with her husband, but in 1979, when they had their first of their three children, she found herself unable to travel as much as her work required. However, this was just the beginning of a very successful yet controversial career. Many were shocked by these images of girls assuming adult roles, as it happens in “Candy Cigarette” (which, as the name clarifies, was just a candy). In 1988 she published her first book called At Twelve: Portraits of Young Women, where she captures pre-adolescent girls posing in, let’s say, more adult-like ways. However, this was not the first time photographer Sally Mann had been in the middle of controversy for her work. Why would a mother take and publish a picture of her daughter like this? Since the publication of Immediate Family in 1992 (the book including this particular image) many authors have written about it, especially due to the controversy it raised. If you’re one of the first ones, why do you think it makes you feel uncomfortable or even offended? Is it the fact that a young girl is holding a cigarette? Is it her pose? Perhaps, her strong stare and attitude? Or maybe all of this. For most cases, it provokes anger while others think it’s a masterpiece, not only due to the way it captures its subject, but for its composition and use of light. “Few photographers of any time or place have matched Sally Mann’s steadiness of simple eyesight, her serene technical brilliance, and the clearly communicated eloquence she derives from her subjects, human and otherwise – subjects observed with an ardor that is all but indistinguishable from love.Take a moment to look closely at the picture and analyze what it makes you feel. Mann is represented by Gagosian Gallery, New York. In 2016 Hold Still won the Andrew Carnegie Medal for Excellence in Nonfiction. Her bestselling memoir, Hold Still (Little, Brown, 2015), received universal critical acclaim, and was named a finalist for the National Book Award. A 1994 documentary about her work, Blood Ties, was nominated for an Academy Award and the 2006 feature film What Remains was nominated for an Emmy Award in 2008. In 2001 Mann was named “America’s Best Photographer” by Time magazine. Her many books include At Twelve (1988), Immediate Family (1992), Still Time (1994), What Remains (2003), Deep South (2005), Proud Flesh (2009), The Flesh and the Spirit (2010) and Remembered Light (2016). She has received numerous awards, including NEA, NEH, and Guggenheim Foundation grants, and her work is held by major institutions internationally. Sally Mann (born in Lexington, Virginia, 1951) is one of America’s most renowned photographers.
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